ALEXA 35: Workflow From Set to Post

Learn how to prepare your ALEXA 35 project for a successful — and on-time — finish for the many deliverables that are now the norm in modern film and television production.

This new 4-hour class will go in-depth on ARRI’s all-new REVEAL color science and image processing pipeline and how they work to enable managing the color, looks and file data of the ALEXA 35 and select other ARRI cameras. Learn how to prepare your ALEXA 35 project for a successful — and on-time — finish for the many deliverables that are now the norm in modern film and television production.

Beginning in the camera, we’ll discuss comprehensive approaches to color management that will carry through from on-set to post-production and distribution, all while maintaining creative intent. This class is appropriate for DPs, DITs, colorists, post supervisors and anyone with an interest in constructing a well-managed pipeline for the ALEXA 35 and other ARRI cameras.

Topics covered include:

• An overview of ARRI’s new REVEAL Color Science including features specific to ALEXA 35 as well as features available in post-production environments
• Rating ALEXA 35’s sensitivity + exposing for the new LogC4 curve
• Creation and Live Grading of ALF-4 look files with an eye towards utilization for dailies, edit media, as well as a starting point for final color
• Single-sourcing looks for both SDR & HDR monitoring on set
• ARRI’s new all-in-one Reference Tool — ART
• Working with ALEXA 35/LogC4 footage in Davinci Resolve
• Color management options: LUTs, ACES and Davinci YRGB
• Outputting files for review, edit and mezzanine